I work with images because I’m interested in what’s real. Not in a moral way, neither in a “perfectly authentic” performance.
I mean the simple difference between something that is alive and something that only looks alive.

Most projects come to me as a format request: a music video, an aftermovie, a brand film, a portrait, a short documentary. That is perfectly fine, but it is rarely the actual task. The task is usually clarity.
Someone wants to be seen without being misrepresented.
A team wants a film that feels true to what they are building, not a shiny layer on top.
An artist wants the visual world to carry the same weight as the music.
An event wants to be remembered without turning it into a highlight-reel cliché.

I like working fast when it helps…. and slowing down when it matters. I am comfortable in chaotic live situations where nothing happens twice, and I am just as comfortable shaping a story when the project needs structure. I take responsibility for the visual language and the final decisions.

If a project relies on selling an illusion, I am not the right person.
If the project has a spark, even if it is still messy, we will probably get along.

If you want, send me a few lines about what you are building, what the visual needs to do, and what must not be lost in translation. We’ll usually know quite quickly whether it makes sense to move forward.