I work with visuals because I’m interested in what is true – and there is a fine but clear difference between something that is alive and something that only looks alive.

Most projects come to me as a format request: a music video, an aftermovie, a brand film, a portrait, a short documentary.
What they usually want is simpler: they don’t want to be misread.
A team wants a film that feels true to what they are building, not just a shiny layer on top.
An artist wants the visual world to carry the same weight as the music.
An event wants to be remembered without turning it into a highlight-reel cliché.

I like working fast when it helps…. and slowing down when it matters.

I’m comfortable when things are fast, messy, and unscripted. I’m just as comfortable when a story needs structure and decisions. Either way, I don’t leave the final shape to chance.

If a project relies on selling an illusion, I am not the right person.
If the project has a spark, even if it is still messy, we will probably get along.

If you want, send me a few lines about what you are building, what the visual needs to do, and what must not be lost in translation. We’ll usually know quite quickly whether it makes sense to move forward.