One moment. One chance.

Cinema for moments that won’t return

When something only happens once

A work of art does not answer questions, it provokes them; and its essential meaning is in the tension between the contradictory answers.

Leonard Bernstein

Selected Films

Medicine Festival

Aftermovie 2023 — Reading, UK

This Is Mariya

Rising Phoenix Retreat 2025 — Glastonbury, UK

Picbe

Aftermovie 2021 — Graz, Austria

Wedding

Wedding of Rozaline & Caleb 2025 — Switzerland

Ayla Schafer

Live Video 2024 — Amsterdam, Netherlands 

TaKeTiNa®

Event Documentary 2025 — Germany

more references

Snatam Kaur

Concert Promo 2025 — London, UK 

Snatam Kaur

Concert Promo 2024 — London, UK 

Voices

Do you work internationally?

Yes.
I move where the work takes place.

Projects have taken me across Europe, the Middle East, Central and South America; since I travel a lot, feel free to reach out, perhaps everything might be perfectly aligned!

If something meaningful is happening somewhere, distance is usually the smallest part of the conversation.

What kind of events do you work with?

I work with live formats where presence, realness and authenticity matters.

Festivals, retreats, concerts, gatherings… sometimes weddings, when they carry depth rather than spectacle.

It’s not really the format which connects them, but the truth of the moment and the fact that nothing can be repeated.

Do you work solo or with a team?

That’s depending on the event! Many live projects I filmed solo, some with larger crews of talented filmmakers with strong values.

Reach out and we will have a conversation and figure out what’s aligned with your vision.
I might come by myself and I’m also well connected with many talented artists across the world.

How do you handle situations where nothing can be repeated?

That’s the nature of live work – and the reason I enjoy it;

I’d even say, I enjoy the moments more, that can’t be repeated, because they are real, truthful and unique.

There’s no second take, no reset, no control over the moment.

I love to work with the perfect timing, my intuition, and the ability to stay calm while everything is happening at once.

Do you direct people during events?

Rarely, yes.

I wouldn’t call it directing, I’d say I help others to become their best version. Example many people struggle with insecurity in front of the lens, so I’d say my role is not to shape the moment, but to recognize it.
From my experience: The strongest images usually appear when people forget about the camera; and sometimes my job is to make you forget that I’m present.

What about sound, interviews, or storytelling?

Depending on the project, I work purely observational… and sometimes I will integrate short interviews and narrative elements where they feel organic.

This is usually decided together, once the nature of the event is clear.

What kind of budgets do live projects usually have?

Since starting filmmaking I’ll reply: “How much does it cost?”
About as much as a car.

Some are compact and get you exactly where you need to go.
Others are built for distance, comfort, and a very different kind of journey.

Some are compact and focused. Others involve multiple days, editing phases, and longer narrative work.

If the intention is clear and the collaboration feels aligned, the details tend to fall into place naturally.

How far in advance should we reach out?

For festivals and retreats, earlier is always better.

That said, meaningful projects have a way of finding their moment … and sometimes even on shorter notice.

How do we know if this is a good fit?

Usually, you feel it quickly.

If you value presence and authenticity over performance, and depth over control,
we’ll likely speak the same language.

How do we get in touch?

Send a short message with what’s unfolding —
where, when, and why it matters to you.

We’ll take it from there.